Interview with David Shepherd
Do you have a single most influential or defining moment when you knew that you wanted become a conservationist?
Yes. The RAF flew me to Kenya in the 1960s. Bored with paintings of aeroplanes I was asked instead to paint something different. I painted a rhino on the runway; it was my first wildlife painting.
In 1984 you established the David Shepherd Wildlife Foundation (DSWF), what was the motivation behind this?
From that moment in Kenya I began my life as a wildlife artist and a conservationist. And, as sales and commissions picked up I started to donate my work to raise funds for wildlife conservation through a variety of NGOs and initiatives. In the 1970s, for example, I teamed up with Indira Gandhi’s Project Tiger and my painting Tiger Fire raised over £130,000 to help protect India’s beleaguered tiger population – then estimated to be as few as 1,200. In 1984, I decided to launch my own foundation and, with the support of my family and my daughter Melanie, the David Shepherd Wildlife Foundation was born. It is my way of giving something back to the animals that I love and that helped make me a successful wildlife artist. Art still forms the beating heart of our fundraising.
How can we change local attitudes towards nature?
Education is key. Our funding of education programmes across Africa and Asia and in the UK help develop a real sense of the importance of the wild world as an intrinsic part of our existence. We engage local communities in finding long-term, sustainable solutions to protect their native wildlife and support alternative income generation schemes to keep people from poaching.